Just as I’ve kept my more private answers close to the chest, so does the majority of TikTok In France, an arts and culture radio show called the book “incomprehensible at first sight” and wondered, “Is this not the generation for which since childhood everything is registered, traced and memorised?” But if that question feels in bad faith, it still raises a pertinent one: What to make of the fundamental point of tension in the book’s success, where the breaking of the book’s primary rule (social media sharing) is also the cause of its international success? Though some posts are accompanied by music (Olivia Rodrigo tracks are common), many (at least by anglophones) feature the original audio from a long-ago post by user golden.sams, as she explains that “I think I needed this because it’s really about being honest with yourself and just letting things go.” That kind of effusive ownership of the book is typical: in French, one reader claimed Burn After Writing was “Pas vraiment un livre, une thérapie” – not really a book, but therapy. It’s not uncommon to finds posts of a page, or even the whole book aflame. Young people – mostly women between their mid-teens and mid-twenties – are sharing photos of the book’s pages: usually before writing, where prompts such as the aforementioned “The long-lost childhood possession that I would love to see again” and “The thing I should let go of” sit alongside “If I had two weeks to live, I would _” and “The one word I would use to describe my relationship with my mother” but sometimes after, too.
As the book sprouts new language editions across the world, new posts proliferate across the social media platform. Yet I’m not alone there, either on TikTok, the hashtag #burnafterwriting has 84.5 million views and counting, a statistic that explains the book’s sudden ubiquity. Technically, then, you shouldn’t have read that bit at the start – or rather, I shouldn’t have written it. What to make of the fact that the breaking of the book’s primary rule (social media sharing) is also the cause of its international success? The last thing you should do is share it.
Jones meant the book to be kept private: upon its completion, you could bin it, hide it away, or do exactly as the title suggests. And it’s blowing up in America, too: at the time of this writing, it sits at number 68 on ’s top 100 best-selling books.įirst published in 2014 by British graphic designer Sharon Jones, Burn After Writing was intended to reverse the trend of using social media as “one giant confessional”. Its first publication run in France earlier this year, of 120,000 copies, sold out in less than a month. This May, the book enjoyed a brand new UK printing by Ebury (and an illustrated version is out in August). Burn After Writing – a workbook-style journal with 150 pages of personal questions and prompts designed to challenge your self-perception and discover “how honest you can be when no one is watching” – has sold more than one million copies worldwide. This past month, I’ve been thinking a lot about my past, present, and future: the long-lost childhood possession that I would love to see again (a tabletop model railroad my father and I built together when I was eight) the thing I should let go of (self-doubt) the one thing I’m most concerned about (will I ever get to retire?).
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